Daniel Kremer

A Man of Potential: Visions of Paul Wendkos, the Godard of Gidget

Now, Irving Rapper

William Wyler: Forty Takes Willy

Love Left the Masquerade: Peter Medak's Cinema of Pretenders

Cruel, Usual, Necessary: The Passion of Silvio Narizzano

Jack of Three Trades: In Focus on Nicholson the Director

Cinema of the Pilpul: A Talmudic View of Early Holocaust Cinema

Survival Scars: Franklin J. Schaffner as Auteur

Dead Neon: The Many Faces of Lenny Bruce on Film

It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point

Clear Lines of Sight: Sidney J. Furie at Paramount

Elective Vicissitudes: The Radical Exiles of Jules Dassin

Paralyzed Segments: Suzanne Pleshette Tangled Up in Codes

The Brando Interregnum: The Decade of Marlon's Dirty Dozen 1962-1972

The Great Ecstasy of Tree-Climber Otto, or How I Learned to Stop Worrying and Love Late Preminger

Xenolith Atlas

La Vie en Gris: The Anglophone Louis Malle in Seven Pictures

Ammo for Shooting Clouds: John G. Avildsen Before Rocky

Looking to Get Out: A Comparative Analysis of the Ted Kotcheff Vision

Arid Cut

Torch

It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point

It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point

It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point

Countercurrents

Even Just

Even Just

A Collection of Chemicals

A Collection of Chemicals

Dead Neon: The Many Faces of Lenny Bruce on Film

Sidney J. Furie: Fire Up the Carousel!

It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point

A Trip to Swadades

Raise Your Kids on Seltzer

A Simple Game of Catch

Sophisticated Acquaintance

The Idiotmaker's Gravity Tour

Drive Me to Vegas and Mars

Faultline

Ezer Kenegdo